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在《杀破狼》、《龙虎门》之后的《导火线》我们感受到了甄氏风格的成熟。而这种成熟体现在“暴”与“破”两个点上。暴“包含”暴打“、”暴走“、”暴场“三个方面,这三个方面合成了甄子丹以《导火线》为代表的动作影片在打戏和视觉上的突破以及给观众的新鲜冲击。”破“:不破不立,甄子丹在《导火线》中对马军的形象塑造突破了以往传统动作影片对于警察形象塑造及善恶对立处理方式的窠臼,使得动作电影在《导火线》之后具备了新的发展的可能。这个”破“包含了”破形“与”破像“两个方面。
In ”Breaking the Wolf,“ ”Dragon Tiger Gate“ after the ”fuse“ we feel the Zhen style mature. And this maturity is reflected in the ”storm“ and ”broken“ two points. ”Storm“, ”storm“, ”storm away“, ”storm“ three aspects, these three aspects of the synthesis of Donnie Yen to ”fuse“ as the representative of the motion picture in drama and visual breakthrough As well as the fresh impact on the audience. ”Broken “: does not break does not break, Donnie Yen in the ”fuse“ in the image of the Ma Jun broke the traditional motion picture of the police for the past and shaping the good and evil, the opposites of opposites, making the action movie in After the ”fuse“ possesses the possibility of new development.This ”broken “ contains ”broken shape “ and ”broken image " two respects.