当代艺术的发展得到了前所未有的繁荣。在中国这个崛起的艺术国度,当代艺术家们幸遇到更多的选择和机遇。如被誉为中国当代艺术的海外“四大金刚”徐冰、谷文达、黄永砅、蔡国强四位。此外,还有张晓刚、王广义、方力钧、岳敏君等众多实力派的当代艺术家。他们不仅创造了中国当代艺术的国际神话,而且也推动了当代艺术的深度发展。然而,表面持续繁荣的当代艺术圣坛其实在新世纪来临之际就已经危机四伏,陷入空前的茫然和失语。产生这一窘境的原因很多,究其根本原因还是当代艺术原创性的缺失。“中国牌”“后感性”在当年也曾炙手可热,而如今已经被淡忘,“四 The development of contemporary art has enjoyed unprecedented prosperity. In the rising art state of China, contemporary artists are fortunate to have more choices and opportunities. Such as overseas Chinese known as the Chinese contemporary art ”Diamond King“ Xu Bing, Gu Wenda, Huang Yong, Cai Guoqiang four. In addition, there are many contemporary artists such as Zhang Xiaogang, Wang Guangyi, Fang Lijun and Yue Minjun. They not only created the international myth of Chinese contemporary art, but also advanced the in-depth development of contemporary art. However, the altar of contemporary art, which continues to flourish, has actually been in a state of crisis and unprecedented loss and aphasia when the new century is approaching. There are many reasons for this dilemma, and the root cause is still a lack of originality in contemporary art. ”Chinese card “ ”after the sensual “ was also hot in the year, but now has been forgotten, ”four