近现代以来,中国作家已经积累了不少如何叙述“异域”的文学经验,从晚清的官员日记开始,实录精神、反思意识替代了海客谈瀛的神话思维,异域的风物制度、人物事件、文化心理等以各种方式进入文本之中,在拓展中国文学表现领域的同时,对作家的审美思维和文本的美学品格等都产生了影响。但我们或是将这类作品简单归类为异域风情小说,或是从非文学的角度去探讨其异域叙述的意义,很少从创作角度去总结异域叙述的审美意义。在我 Since the modern times, Chinese writers have accumulated a great deal of literary experience on how to describe the “exotic”. Starting from the official diaries of the late Qing Dynasty, the recorded spirit and the reconsideration of consciousness replace the mythological thinking about seafarers and the exotic scenery system. Character events and cultural psychology enter the text in various ways. While expanding the field of Chinese literary performance, they also exert an influence on the author’s aesthetic thinking and the aesthetic character of the text. However, we simply classify these works as exotic novels, or explore the significance of their exotic narratives from a non-literary perspective. We seldom summarize the aesthetic meanings of exotic narratives from the perspective of creation. at me