浙江省博物馆藏万寿祺《秋江别思图》卷(图一),纸本,墨笔,纵18.4、横173.2厘米,作于清顺治八年辛卯(1651年),是万寿祺的晚年作品。画面构图简略,用笔寥寥,但气氛悲凉萧疏,充分体现了作者对明室倾亡的悲哀心情。万寿祺,字年少,江苏徐州人。生于明万历三十一年(1603年),卒于清顺治九年(1652年),享年50。少年时期,风流倜傥,人称才子,“凡经史诸子百家之书无不读,礼、乐、兵、农、天文、地理之奥无不 Zhejiang Provincial Museum Wanshouqi ”Autumn Jiang Bethune“ volume (Figure 1), paper, ink pen, vertical 18.4, horizontal 173.2 cm, made in Qing Shunzhi eight years Xin Mao (1651), is Wanshou Qi’s later works . Picture composition is simple, with a pen a handful, but the gloomy atmosphere of the Shu gloomy, fully reflects the author’s sense of sadness to the decline of Ming Room. Wanshou Qi, less words, Xuzhou, Jiangsu. Born in the Ming Wanli thirty-one years (1603), died in Qing Shunzhi nine years (1652), at the age of 50. In his youth, romantic, callous genius, ”All through the history of the hundred books are all reading, ceremony, music, soldiers, agriculture, astronomy, geography of the Austrian all