“即兴”伴奏,不是随心所欲的去演奏。是应根据乐曲调式、调性、情绪、意境、旋律风格、音型节奏的特点,在没有配器的前提下,一瞬间,对音乐做出相应的处理手法,就叫“即兴”伴奏。笔者在三十多年大提琴演奏生涯中发现:基层文艺团体,演出频繁、任务紧促,很多乐曲来不及配器。在 “Improvisation” accompaniment, not to play at will. Should be based on the tune of music, tonality, mood, mood, melody style, style rhythm characteristics, without the premise of the device, the moment, the music to make the appropriate treatment, called “improvisation” accompaniment. In more than thirty years, I discovered in my cello career: grass-roots literary groups, performing frequently, the task urgency, a lot of music too late to match. in