李健吾的文学批评一直被看作是中国印象主义批评的典范,他在既有传统文学积淀的基础上,广泛地吸收传统文学批评与西方文学批评的有益因素,创造性地形成了自己独具风格的文学批评体系。出于对小品散文的喜爱,李健吾的批评文体呈现出松散、自由的“随笔式”批评的文体结构,而优美放达的文字、形象生动的描述、富含情感的说理,则显示出他在语言方面的深厚造诣,同时,多重修辞手法的运用,更增添了其批评文体的艺术神韵。而这一切,就是他留给现代中国文学的宝贵遗产。 Li Jianwu’s literary criticism has always been regarded as a model of Chinese impressionism criticism. Based on the accumulation of traditional literature, he widely absorbs the beneficial factors of traditional literary criticism and western literary criticism and creatively forms his own unique style Literary criticism system. Out of his love for short essays, Li Jianwu’s criticism shows a loose, free “essay-like” style of criticism, whereas the elegantly-presented text, the vivid description of the image and the emotion-rich argument show Out of his profound attainments in language, at the same time, the use of multiple rhetorical devices, but also adds to the artistic charm of his criticism of style. All this is the precious legacy he has reserved for modern Chinese literature.