论文部分内容阅读
在艺术行为中艺术家处于主体地位,对于艺术家的研究应该是多学科话语的立体审视,从文化人类学角度看,应该关注艺术背后的文化及艺术实践过程及艺术主体。对于邵梅罕这样的民间艺术家来说,可以从历史生活空间、文化艺术知识、艺术作品三个方面考察,从邵梅罕的生活空间和生活实践去认识她,在她的生活史中去记录,了解其文化艺术知识及其习得和艺术作品的内涵,这样能够寻找出一条“生活—艺术家—艺术作品—生活”的线路,确立艺术家文化视野的观察角度,从而更好地显示出艺术家与生活体验的密切关系。
In the artistic act, the artist is in the dominant position. The research on the artist should be the three-dimensional examination of the multidisciplinary discourse. From the cultural anthropological point of view, the cultural and artistic practices behind the art and the subject of art should be concerned. For such non-governmental artists as Shaomei Han, we can study from three aspects of historical living space, culture and art knowledge, and works of art. We know her from the living space and life practice of Shaomei Han and record her life history , Understand its culture and art knowledge and its acquisition and the connotation of works of art, so that we can find out a “life - artist - works of art - life ” line, to establish the artist’s cultural perspective of observation point to better show Close relationship between artist and life experience.