本文列举了二十世纪初期西方文学作品中对北京迥然不同形象的叙述,通过对作者身份立场和时代巨变背景的分析,揭示出近百年来东西文化碰撞、融汇在作品中内在必然的体现。 This article lists the very different images of Beijing in western literary works in the early twentieth century. By analyzing the authors’ identities and the changing background of the times, this article reveals the inherent inevitable manifestation of the collision and integration of Eastern and Western cultures in the past century.