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在去参加第53届威尼斯艺术双年展开幕式之前的几天,我受邀出席了在意大利北部城市Bergamo的当代美术馆GAMeC举行的国际年轻策展人论坛,今年论坛的主题是“国际策展人的终结?”围绕着像威尼斯双年展、卡塞尔文献展等全球达几十个之多的国际性展览的策展策略和模式进行反思和讨论。讨论之中也不免提到了威尼斯双年展这个一直以一个策展人为主导选择艺术家的大
A few days before going to the opening of the 53rd Venice Art Biennale, I was invited to attend the International Young Curators Forum at GAMeC, a contemporary art gallery in the northern Italian city of Bergamo. The theme for this year’s forum is “International The Curator’s End? ”Reflections and discussions revolved around curating strategies and models of international exhibitions such as the Venice Biennale, the Kassel Literature Exhibition, etc., which have reached as many as 10 worldwide. The discussion also invariably refers to the Venice Biennale, a curator-led artist