我的花鸟画直接来源于两个互相矛盾的极端,一个是地道的中国画大写意传统,一个是西方观念的花卉写生。把西方的色彩观念和表现方法,不动声色的、恰如其分的融汇到中国传统大写意画的笔墨当中,使许多复杂的写生内容通过传统的简练的大写意笔墨表现出来。这样,使原来就富于表现力 My paintings of flowers and birds come directly from two contradictory extremes. One is the authentic traditional Chinese painting and the other is the flower sketch of the western concept. The western color concept and method of expression, quietly and properly integrated into the brushstrokes of the traditional Chinese freehand brushwork, make many complicated sketch contents appear through the traditional concise and freehand brushwork. In this way, the original is very expressive