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人类为了转述自我的生活状态,创造了模仿生活的艺术。然而,随着影像技术的日益发达,人们以模仿为艺术的兴趣便日渐低落。创作中,主观色彩日趋浓烈,自我意识愈加鲜明。即便是以“客观记录”或曰“物体照相”为特征的摄影艺术也在积极寻求主体的渗入,追求光与影的我化。遂使镜头下的影像浸满摄者的情感,超越被摄物的自在形态,升华为一种大于和高于画面本身的艺术景观。也正是在这个意义上,摄影才结束了技术层面的盘桓,一跃进入艺术之境。第18
To reproduce the state of self life, mankind has created an art that imitates life. However, with the development of video technology, people’s interest in imitating art has been declining. In the process of writing, the subjective color is getting stronger and stronger, and the self-awareness becomes clearer. Even photographic art characterized by “objective record ” or “object ” is also actively seeking the infiltration of the subject and pursuing the light and shadow of me. So immersing the camera under the camera’s emotions, beyond the ease of photography of the subject, sublimated into a greater and higher than the picture itself artistic landscape. It is also in this sense that photography has ended the lingering of the technical level and jumped into the realm of art. 18th