任何绘画艺术都依赖于一定的造型语言来揭示作品主题,这几乎是艺术界“千古不变”的公理。然而,在20世纪末的现代绘画艺术的巨大屏幕上,随现代文艺思潮而来的某些非造型语言因素,已经形成艺术的独特“风景点”,不能不引起我们的思索。 语言是人类赖以生存的重要形式,它不们是生活的“必需品”,更是传播文化、交流信息、了解世界的重要形式与途径。绘画作为视觉艺术的重要品类,其审美功能也是依赖造型的独特语言来完成的。艺术语言是其它形式语言无法替代的语言,就艺术本质的表现而言,语言充当了作品外在形式和内核联系的纽带,成为体现作品本身价值的重要组成部分。 Any painting art relies on a certain stylistic language to reveal the theme of the work, which is almost an axiom of the art world for “eternity.” However, on the huge screen of the modern painting art at the end of the 20th century, some non-stylistic language factors that have come along with the modern trend of literature and art have formed a unique “scenic spot” of art, which can not but cause us to ponder. Language is an important form of human existence. It is not a “necessity” of life. It is also an important form and means of spreading culture, exchanging information and understanding the world. Painting as an important category of visual arts, its aesthetic function is also dependent on the unique shape of the language to complete. Art language is an irreplaceable language in other forms of language. As far as the nature of art is concerned, language serves as a link between the external form of the work and the inner core, and becomes an important part of the value of the work itself.