论文部分内容阅读
方兴未艾的大陆民众剧场,在利用外来理论资源的同时,一定要结合我们的历史经验,一定要总结不同历史时期的秧歌剧、街头戏的理论资源与实践经验。
In the ascendant, mainland Chinese public theater, while utilizing the resources of foreign theory, must combine our historical experience and must summarize the theoretical resources and practical experience of Yangko and street games in different historical periods.