《庄子·德充符》中,庄子刻意以畸人为主角,通过形体好残与德之显隐的对立阐释,强调德失则形无所成、德有所长而形有所忘、才全德不形的观念,进一步提出“与物为春”的审美情趣以及物我两忘、与道为一的艺术境界。现实的畸人和道境中“肌肤若冰雪,绰约若处子”的神人虽面孔相反,但在精神上是有同一性的。他们皆注重葆德,强调精神的亲和性,自由而逍遥。畸人的魅力,恰就在于“畸人乘真,手把芙蓉”。另外,本文所引《庄子》和郭象注、成玄英疏原文 Zhuangzi de Charder “, Zhuang Zi deliberately to abnormal people as the protagonist, through the good physical and mental disability and the apparent hidden opposition of interpretation, emphasizing the loss of Germany is nothing, Germany has the director of what has been forgotten, only the whole The concept of virtue does not form, and further put forward the aesthetic taste of ”the thing is the spring“ and the artistic realm in which I forget two things and the Tao is one. The reality of the abnormal and Taoist territory ”If the skin is snow and ice, Chuo if the place where the son of God,“ although the opposite of the face, but in spirit there is identity. They all pay attention to Baldor, emphasizing the spirit of affinity, freedom and ease. Abnormal human charm, just lies in ”abnormal people multiplication, hand Lotus.“ In addition, cited in this article ”Chuang Tzu" and Guo Xiang Note, Cheng Xuan Ying Shu original text