或许可以说,在某种意义上,《一个和八个》、《黄土地》等第五代导演的首批影片带给新时期中国观众的震惊,不亚于七十余年前鲁迅的《狂人日记》带给“五四”中国读者的震惊。在中国电影从经典戏剧性的时空框架中逐渐剥离的时分,这批影片的出现如同 It may be said that in a certain sense, the first films of the fifth-generation directors such as “One and Eight,” “The Land of the Yellow Earth,” brought a shock to the Chinese audience in the new era, no less than Lu Xun’s “ Mad Men Diary ”to“ May Fourth ”Chinese readers shocked. As Chinese movies gradually strip away from the classic dramatic space-time framework, these films appear as if