好的艺术作品在展览馆里总是会令人伫足,静静地面对这些作品,一种莫名的触动总会油然而生,或美好的,或欣慰的,或悲凉的,或崇高的……凡此种种情绪的产生,系由作者所塑造的画面,亦系由观者对作品的再创造。诚然,作为一个工笔人物画家,要想获得来自作品本身的艺术震撼力,就必须要思考两个方面的问题:一是题材的力量,包含画家独立观察与认识世界及对社会人生的深刻理解, Good works of art in the exhibition hall will always be enough to stand silently facing these works, an inexplicable touch always spontaneous, or beautiful, or happy, or sad, or lofty ... ... All these emotions produced by the author shaped by the picture, but also by the viewer of the creation of the work. It is true that as a type of meticulous figure painter, in order to obtain the artistic power from the work itself, two issues must be considered: one is the power of the theme, including the artist’s independent observation and understanding of the world and his profound understanding of social life,