论文部分内容阅读
[不可饶恕],克林特·伊斯特伍德1992年作品。描写十九世纪八十年代的美国西部大威士忌镇上,由于一起醉酒闹事,而引发的暴力杀戮。克林特·伊斯特伍德、吉恩·哈克曼、摩根·弗里曼主演。该片获得了奥斯卡四项大奖:最佳影片、最佳导演、最佳剪辑、最佳男配角。使用:华纳2002年发行的双碟特别版DVD。[不可饶恕]DVD正片的评论者理查德·西凯尔并不太侧重幕后花絮,主要点出场景的意义,以及诠释影片的道德内涵。他倒并不认为这是一部“反西部片”,他说这是一部“非常经典的传统西部片,它在非常传统的场景中,诠释了某些当代议题。只是以西部片的标准来说,本片的场景(人物刻画)真实很多很多。”理由是最终威廉·莫尼的杀人并非胡作非为,而是属于传统的复仇。尽管这个观点说得比较含糊,但这位评论家对[不可饶恕]做的结论非常准确,他说:“本片是由幽默与邪恶交织而成的”。在DVD的花絮中,收录了关于本片的两部纪录片[沉沦之路],以及[制造不可饶恕]。前者是编导对这部影片的阐释,这部影片的表演,尤其是小角色的表演,是十分成功的。后者介绍了拍摄过程,可以说这是一座西部片中最真实的布景,伊斯特伍德甚至不让任何机动车驶入小镇。强调历史真实感,是这部电影的基础,这也是其“反神话”特质的基础。在采访这部影片的摄制团队时,访问者特地问每个人和伊斯特伍德合作的年头有多久,有些人居然和他合作了三十五年,许多都在十年以上。作为伊斯特伍德的影迷,花絮碟中的一部关于伊斯特伍德长篇纪录片非常可贵。其中也提到他如何在塞尔乔·莱昂内与唐·席格那里学到做导演的技巧。从某种意义上说,[不可饶恕]正是他向这两位导演致敬之作。早在1968年,伊斯特伍德放弃了在塞尔乔·莱昂内的[西部往事]中担任角色的机会,他深知自己留在意大利,将使自己的角色和前途陷入僵化的危险。他回到了美国,开始了新的事业。如果说[西部往事]是一篇壮丽优美、舒缓大气的“西部片的悼词”的话;那么二十四年后作为西部片巨星的伊斯特伍德拍摄的[不可饶恕]则像是一部“西部片的判词”。从此他正式告别了西部。
[Unforgivable], Clint Eastwood, 1992. Describes the violent killings caused by a drunken trouble in the western Great Whiskey town of the 1880s. Clint Eastwood, Gene Hackman, Morgan Freeman starring. The film won the Oscars four awards: best film, best director, best clip, best supporting actor. Use: Warner 2002 Two-Disc Special Edition DVD. [Unforgivable] DVD positive film reviewer Richard Seckel does not focus too much on the backstage, the main point out the significance of the scene, as well as the interpretation of the film’s moral content. He did not think it was an “anti-western film,” saying that it was “a very classic traditional western film that interpreted some contemporary topics in a very traditional scene, For the film’s scene (characterization) a lot more real. ”The reason is that in the end the killing of William Moni is not nonsense, but rather a traditional revenge. Although this view is rather ambiguous, the critic’s conclusion on [unforgivable] is very accurate. He said: “The film is made up of humor and evil intertwined.” In the DVD’s tidbits, the two documentaries on the film [Degradation Road] and [Unforgivable Making] are included. The former is the director of the interpretation of the film, the film’s performances, especially the performance of small roles, is very successful. The latter introduced the filming process, arguably the most authentic setting in a Western movie, and Eastwood did not even allow any motor vehicle to enter the town. Emphasizing historical truth is the foundation of this movie, which is also the basis of its “anti-mythical” trait. In an interview with the film crew on the film, the interviewer specifically asked everyone how long each year had been with Eastwood. Some actually worked with him for 35 years, many more than a decade. As an Eastwood fan, a tidbit of discounts on Eastwood long documentary is very valuable. It also mentions how he learned his skills as a director in Sergio Leonone and Don Segal. In a sense, [unforgivable] is what he paid tribute to the two directors. As early as 1968, Easterwood gave up the opportunity to play a role in [Western past] inside Sergio Leon and knew that he was staying in Italy and would plunge his role and future into a rigid danger. He returned to the United States and started a new career. If [Western past] is a magnificent, soothing atmosphere, “Western eulogy,” then twenty-four years later, Eastwood’s superstar As Eastwood filmed “unforgivable” is like a “ Western film verdicts. ” Since then he officially bid farewell to the west.