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我们之所以从美术创作生态来看美术品消费,是因为当下艺术品消费与制度不匹配。其消费模式表现为美术原创不如盗版赚钱多,作者不如艺术经纪人赚钱多,美术创作生态完全被物欲横流的买卖所扭曲。在艺术品流通领域,一股消费者不了解艺术原创的稀缺性,艺术品消费被普遍误导。由于资本进入艺术品流通领域,艺术和艺术家在中国当代艺术市场正面临“变性”的异化,美术家创作精品的心态和定力受到挑战。有名气的画家不免为了完成合同而赶
The reason why we consume the art products from the artistic creation ecology is because the present art consumption does not match with the system. Its consumption pattern is not as good as original art pirates make more money, the author is not as profitable as an art dealer, art creation ecology is completely distorted by materialistic trading. In the field of art circulation, a consumer does not understand the scarcity of original art, and the consumption of artwork is generally misled. As capital enters the field of art circulation, art and artists are facing “alienation” of alienation in the Chinese contemporary art market. The mentality and determination of artists’ creative work are challenged. Well-known painters inevitably rush to complete the contract