在苏联电影创作工作者中间,有相当多的人对样式问题抱着不屑一谈的轻视态度。长期以来,主要是在批判形式主义观点时我们才一般地提到样式问题,而在分析一部电影作品时,我们却往往忽视作品的样式特征。一个电影剧本或一部影片如果没有鲜明的、统一的样式特征,这往往被认为是可以容忍的缺点:据说作者是直接从生活出发的,因而就不能硬把材料塞入一个事先想好的样式里,相反地,作者必须根据 Among the Soviet cinematographers, a considerable number of people disdain style issues contempt attitude. For a long time, we mainly referred to stylistic issues mainly in the criticism of formalism. When analyzing a movie, we often overlook the stylistic features of the artwork. The absence of distinctive, uniform stylistic features of a screenplay or a film is often considered a tolerable disadvantage: It is said that the author is directly based on life and therefore can not hard-stuff the material into a pre-determined style On the contrary, the author must base it on