旦色男扮发端于上古巫风与俳优中男为女服的歌舞表演,汉以降,遂从祭坛转向俗常的娱乐狂欢。唐宋戏剧初备并臻成熟,“弄假妇人”的伎艺衍变为杂剧的“装旦”与南戏的“妆旦色”。在旦色男扮艺术生成之初,性别串演以其诙谐和狂欢的性质,揭橥了艺术原初时期充满民间意味的生气与活力,但也隐伏着放纵自然情欲的倾向。 Dan color men dressed in the ancient witch and Niuyou middle male dresses for the song and dance performances, Han to decline, then turn from the altar to the common entertainment carnival. The drama of the Tang and Song Dynasties was well-established and matured. The technique of “faking a woman” turned into a “costume” of the drama and the “makeup color” of the Nan opera. At the beginning of the creation of denim masculine arts, the gender choreography, with its humorous and carnival nature, revealed the vitality and vitality full of folk meanings in the original period of art, but also concealed the tendency to indulge the natural lust.