第82届奥斯卡上,《拆弹部队》大获全胜,一句话迅速流传开来:“不要在妇女节和前妻PK”。其实,像《阿凡达》这样伟大的电影已经不需要小金人的锦上添花,疯狂的票房早已证明它在影迷心中的地位。但是电影无论如何不可能只有《阿凡达》这一种拍法,并不是每位导演都有资格和威望投资5亿美元,花费12年来打造一部影片。《拆弹部队》则为更多的电影从业人员指出了新的方向,而这正是近几年深处经济危机中的奥斯卡的“新风向”。奥斯卡评委们越来越偏爱独立电影和非主流影片,他们急需用新的语言讲新的故事,为已然显出疲态的好莱坞电影注入灵魂,使之呈现不同以往的气质,要粗糙、要黑暗、要褴褛,要接近生活本来的质地,而不是更光鲜、更圆熟、更油光水滑,这在本届奥斯卡获奖的几部影片中都有所体现。 On the 82nd Oscars, the “Bomb Bullet” won an all-out victory with a word spread quickly: “Do not hold PK during the Women’s Day and his ex-wife.” In fact, such as “Avatar” such a great movie has no need for icing on the cake, the crazy box office has long proved its place in the hearts of fans. However, in any case, the film can not be the only “Avatar” this way, not every director has the qualifications and prestige invested 500 million US dollars, spent 12 years to create a film. “Bomb disposal unit” pointed out a new direction for more film practitioners, and this is exactly the “new trend” of Oscars in the deep economic crisis in recent years. Critics of the Oscars increasingly favor independent films and non-mainstream films. They urgently need to tell new stories in new languages, injecting the soul into the already weak Hollywood movies, rendering them different in temperament, rough and dark , To ragged, close to the original texture of life, rather than more light, more mature, more shiny, which in this Oscars won several films are reflected.