基于音乐人类学的学理方法,将音乐作为一种文化现象,拟从“仪式还原”的学理观对苗族仪式形态进行学术论证,从音乐本体出发,对仪式中的“形式”与“内容”进行研究,以阐释苗族社会功能性礼俗活动中所存在的音声,使之与“音乐”的概念加以区分、比较,阐释音乐与社会发展的相互关系与文化现象。 Based on the theory of music anthropology, using music as a cultural phenomenon, it is proposed to carry out academic demonstration on the ritual patterns of Miao ethnicity from the perspective of “ritual restoration”. From the perspective of musical noumenon, this paper analyzes the “form” and “ ”Content “ to explain the tone of the Miao social etiquette and etiquette, to distinguish it from the concept of ”music ", to compare and explain the relationship between music and social development and cultural phenomena.