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现今盘索里学界除却几篇盘索里唱法~(1)的相关论文~(2)以外,关于盘索里声音理论与唱法~(3)的著述相当少见。反之,与盘索里比肩的清唱艺术的唱法在中国的研究却很有体系,早在元代即有《唱论》一书,对其进行了理论概述,而元代确立的唱法之传统,历经明清流传至今,并体现于京剧艺术之上,得到了有效的继承和整理研究。
Nowadays, the literature of Pansori is rather rare on the discourse theory and singing method of Pansori (3), except for a few papers related to verse 1 (1). On the other hand, there is a very systematic study of the singing style of the singer-songwriter in the same area as that of Pansori. As early as the Yuan Dynasty, there was a book entitled “Singing Theory”, which provided a theoretical overview of the singing style established in the Yuan Dynasty. After the Ming and Qing dynasties have spread to the present, and reflected in the art of Peking Opera, has been an effective inheritance and finishing studies.