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第一次看雷诺是在《来访者》中,那个锅盖头的家伙滑稽到了极点,半张着嘴露出一口黄牙。穿越时空,继续自己未完的光荣使命,历尽挫折但始终兢兢业业。完全法国式的幽默,神情肃穆,紧张忙乎,又总是洋相百出。立刻,童年时对路易·德菲奈斯的甜蜜回忆又重现在心头。后来看到《杀手里昂》,当银幕上的杀手每天定时喝着两盒脱脂牛奶、给他那盆绿萝浇水、看金·凯利的歌舞片、坐着睡觉时,一下子爱上了他。不可思议,这个高鼻子、长脸、鼓眼睛的家伙,原来他可以这么随意地赋予一个杀手暖意,这是一个努力将自己的冷酷宿命过出人间意味的孤独
For the first time, Renault was among the “visitors,” and the guy in the saucepile was funny and half-open with yellow teeth. Through time and space, to continue his glorious mission unfinished, but set the scene frustrated but always dedicated. Completely French-style humor, solemn, nervous, but always with plenty of foreign things. Immediately, childhood sweet memories of Louis deFennis again in my heart. Later saw the “killer Lyon”, when the killer on screen regularly drank two boxes of skim milk regularly every day, watering his potted greens to watch Kim Kelly’s musicals, sleeping, suddenly fell in love with him. Incredible, this high nose, long face, drumming guy, so he can be so free to give a killer warmth, this is an effort to be cold and fate of his loneliness