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李劼人建国后将创作重点放在《大波》的修改上,修改后的《大波》从人物塑形、结构方法以及细节处理等各个环节与《死水微澜》、旧版《大波》等都有着质的区别,《死水微澜》和旧版《大波》处处体现人物与历史并重的思想,力图从生活和思想的变化来体现社会与历史的变化,从个体生活状态和生命方式中呈现出历史的“真相”。新版《大波》则是遵照革命历史主义的逻辑,站在革命的立场,以革命史代替个体生活史与心灵史;李锐的《银城故事》同样也是以辛亥革命为背景的长篇历史小说,李锐在揭示历史的偶然性和不确定性之后,将关注视角转向普通人的生活与生命。因此,三个版本的辛亥革命正是历史的一派为三,从《死水微澜》、《大波》到《银城故事》我们可以清楚地看到同一个作家/不同作家在不同时段对同一个历史事件想象方式的变化,及其背后不同的历史思维逻辑与不同的主体呈现。
After the founding of the People’s Republic of China, Li Kui concentrated his creation on the revision of the “Great Wave”. The revised “Da Bo” has the following qualities such as “Shakespeare” and “Big Waves” from the shaping of characters, the method of structure, Differences, “Marilyssence of the Dead Water” and the old version of “The Great Wave” reflect the thought of attaching equal importance to both human beings and history, trying to reflect the changes in society and history from the changes in life and ideology, and presenting historical “lifestyles and lifestyles” the truth“. The new version of the ”Great Wave“ is based on the logic of revolutionary historicism, standing on the revolutionary standpoint, replacing the life history and the spiritual history of individuals with revolutionary history; Li Rui’s ”Story of Silver City“ is also a long historical novel based on the Revolution of 1911, After revealing the accidental and uncertainty of history, Li Rui shifted his attention to the life and life of ordinary people. Therefore, the three versions of the Revolution of 1911 are exactly the same type of history. From ”The Ravages of the Dead Water“ to ”The Story of the Silver City," we can clearly see that the same writer / different writer The change of imagination of historical events and the different logical thinking of historical thinking and the different subjects presented.