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有关南宋时期的文人画发展史研究,是画史研究中一个相对薄弱的领域。已有研究对之也是见仁见智、评价不一,至今未对南宋时期文人画现象作全面的史料梳理,这是难以对其作出客观评述的重要原因。南宋虽然没有出现类似苏轼、米芾这样的著名人物,或具文人画自觉意识的创作群体,但它全面继承此前文人画的艺术思想和创作技法,社会氛围浓厚,创作群体广泛,产生了具有画史意义的文人画新形态、新要素,出现了由师承而成的风格流派,培育了一批具有文人画风格的画家,为元代文人画的鼎盛发展提供了内在的画史理路和深厚的历史资源。
The research on the history of the development of literati paintings in Southern Song Dynasty is a relatively weak area in the study of history of painting. The existing studies also have different opinions and different opinions. So far, no comprehensive historical data has been made about the phenomena of literati painting during the Southern Song Dynasty. This is an important reason that it is difficult to make objective comments on them. Although there was no such famous person as Su Shi and Mi Wan or a conscious group of writers, the Southern Song Dynasty inherited the artistic ideas and creative techniques of previous literati paintings. The social atmosphere was rich and the creative groups were extensive. The new style and new elements of the historical significance of the literati painting have brought forth the genre schools formed by teachers and nurtured a group of painters with the style of literati painting and provided an inner historical and rational way of painting for the flourishing development of literati paintings in the Yuan Dynasty Historical resources.