本文以两宋时期考古出土的生肖图像为研究对象,讨论该题材在10世纪以后的发展、变化、时代及区域特征,试图理解十二生肖像在丧葬艺术中呈现出的复杂表现与多重的意涵。这种源于北朝、盛行于隋唐的图像题材,在五代两宋持续发展,大量出现在南方地区的宋墓中,带有鲜明的区域特色,并成为更具普遍意义的墓葬装饰元素。 This article takes the archeological images of the two dynasties as the research object, discusses the development, change, time and regional characteristics of the subject after the 10th century, and attempts to understand the complicated expression and multiple meanings of the Chinese zodiac in funerary art Han This originated in the Northern Dynasty, prevalent in the Sui and Tang dynasties image themes, continued development in the Five Dynasties and the Second Song Dynasty, a large number appeared in the Song Dynasty tomb in the South, with distinct regional characteristics, and become more universal meaning of the tomb decoration elements.