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迪士尼动画大片《疯狂动物城》于《乌托邦》发表500周年之际,在全球范围内热映并引发对于乌托邦的讨论,可视为巴迪欧意义上的事件哲学。影片命名的不同选择显示了乌托邦价值立场的鲜明分歧。《疯狂动物城》在乌托邦叙事上自觉地尝试艺术选择与突破,把个体成长乌托邦与社会乌托邦交织叙事,构成复合的乌托邦审美与风格,但根本上的缺陷是仍然把乌托邦标签化,有反乌托邦的危险。今天重谈乌托邦的使命就是要超越乌托邦遗产,从新现实中获得新的思想资源和精神动力,用新的乌托邦思想和信念来烛照人类向未来出发。唯有如此,人类重启乌托邦的伟大史诗叙事不仅可能,而且必然。
The 500th Anniversary of the Utopia, a Disney animated blockbuster of “Crazy Animal City,” a global event that sparks utopias and is considered an event philosophy in the Badiou. The different choices of movie titles show a clear disagreement on the utopian value stance. “Crazy Animal City” consciously tries art choices and breakthroughs in utopian narration, interweaves narration of individual growth utopia with social utopia, and forms composite utopian beauty and style. However, the fundamental defect is that it still labels utopia and has dystopia danger. Today, to revisit the utopian mission is to go beyond the utopian heritage, acquire new ideological resources and spiritual motivation from new reality, and use new utopian ideas and beliefs to illuminate humankind’s future. Only in this way, it is not only possible, but also inevitable, for mankind to rebuild the great epic narrative of utopia.