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80年代初汪曾祺作品的总体印象是温情、和谐的,但并非世外高人一般,他是贴近社会的;到80年代末期乃至90年代,他的作品更多了一些社会的投影,关注现实的层面加重。本文意在分析这一时期汪曾祺比较成熟的文学观,它涉及到文学创作、理论与批评的各个方面。
The overall impression of Wang Zengqi’s work in the early 1980s was warmth and harmony, but it was not the highest man in the world. He was close to society. By the late 1980s and even in the 1990s, his works had more social projections and more attention to reality The level of increase. This article is intended to analyze the comparatively mature literary view of Wang Zengqi during this period, which involves all aspects of literary creation, theory and criticism.