任何稍稍接触过书法的人,都已经记住了“天下三大行书”这样令人敬畏的称呼,它所指称的那几件作品无疑早已高高地矗立在整个中国书法的顶峰。而更加深入了解书法史的人们,开始知道产生于晋唐时期的那些书法杰作大部分不过是一些信札,也即,它们仅仅是一些日常书写的痕迹。《兰亭序》、《频有哀祸帖》、《丧乱帖》、《祭侄文稿》和《黄州寒食诗帖》 Anyone who has come into contact with calligraphy for a long time has remembered the awesome call of “The Three Great Practices of the World,” and the few works it refers to have undoubtedly stood tall at the top of Chinese calligraphy. Those who have a better understanding of the history of calligraphy, begin to know that most of the calligraphic masterpieces that originated in the Jin and Tang dynasties are mostly letters, that is, they are just traces of everyday writing. “Orchid Pavilion Preface”, “frequent mourning posts”, “mourning posts”, “sacrificial niece” and “Huangzhou cold food poetry posts”