意象审美意识是中华民族特有的美学观念,不管是工笔画还是写意画,其本质都是写意的。意象造型并不以夸张变形或抽象的程度为批评依据,无论是得意忘象的大写意,还是严谨精细的工笔画,都没有弃形抽象,更不是自然实象,中国绘画首重立意,画者应在情意的支配之下熔铸艺术形象,进行“情变”与“意变”。以钩、点、擦、研、拂的笔墨去表现画家生命的律动。如果只是客观复制对象,只能使画面简单庸俗。 The aesthetic awareness of imagery is the unique aesthetic concept of the Chinese nation. Whether it is a photographic or a freehand brushwork, its essence is freehand. Imagery is not based on exaggerating the degree of distortion or abstraction. Whether it is the freehand brushwork or the meticulous fine brushwork, it does not abandon the abstract shape, nor is it the natural reality. People should cast the artistic image under the control of affection and carry out the “emotional change” and the “change of mind.” To hook, point, rub, research, brush the ink to express the artist’s life rhythm. If you only objectively copy the object, can only make the picture simple and vulgar.