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方言的用法从古代至今在中国文学著作中留下了大量的痕迹,文学的创作离不开方言,而方言的研究也离不开文学作品,方言和文学的互相作用下一起推动了中国文学的发展。不同时期的语言学家、民俗学家、文学家会或多或少的关注方言在文学创作中的体现,并且在各自的研究中取得很好的效果。莫言作为土生土长的山东高密人,其文学作品中也带有大量的山东方言词句。本文通过对莫言的文学作品进行多方位的阅读,并辅以大量文献资料基础,来分析莫言的文学创作中的山东方言的使用情况。研究山东方言在莫言文学作品中的表现方式以及这些方言对于其作品的整体价值提升。
Dialect usage has left a great deal of traces in Chinese literary writings since ancient times. Literary creation can not be separated from dialect, and dialect research can not be separated from literary works. Under the interaction of dialect and literature, Chinese dialects are promoted together development of. In different periods, linguists, folklorists and writers will pay more or less attention to the manifestation of dialects in literary creation and achieve good results in their respective studies. Mo Yan, as a native of Shandong Gaomi, also has a large number of Shandong dialects in his literary works. This article analyzes the use of Shandong dialects in Mo Yan’s literary creation through a multi-directional reading of Mo Yan’s literary works, supplemented by a large number of documents and materials. To study Shandong dialects in the performance of Mo Yan’s literary works and the overall value of these dialects for their works.