《邵克萍从艺五十五年画展》于1995年12月初在上海美术馆开幕时,我却生病住在医院里,但一想到我和克萍同志几十年来的交往情谊,在他耄耄之年举办个人画展,我竟不能到场参观、祝贺,实在是一件令人感到遗憾和内疚的事,好在当时病情已有好转,我就向医生说明了理由,要求准予请假半天,医生倒也同意了,于是我准时赶到会场。这时,新老同行、亲朋好友已把展厅挤得满满的,我抓紧时间,对百余幅作品浏览一遍,我发现整个画展的陈列布置格局,很体现了邵克萍的性格和要求:从序画到附 At the opening of the Shanghai Art Museum in early December 1995, I was sick to live in a hospital. However, at a time when I thought about my friendship with Comrade Ke Ping for decades, It is really a matter of regret and guilt to hold a personal art exhibition. I was not able to attend the scene. Congratulations, it was a matter of regret and guilt. Fortunately, when the condition had been improved, I explained the reasons to the doctor and asked the doctor to agree for a long time So, I rushed to the venue on time. At this time, new and old counterparts, relatives and friends have crowded the exhibition hall, and I seize the time to browse over a hundred works, I found that the entire exhibition layout layout, it reflects the character and requirements of Shao Keping: from the sequence Draw to attached