相辈有一批古字画传到我的手中,尽管我把它作为心爱之物妥善珍藏,但总未有暇细览和品味。 去年偶然翻阅刘光祖所著的《写竹百家》书,遴选中国自五代到现代画竹名家百人,邑人画家林兰八主其内,可想见其画竹技艺已非一般。读了此书,忽然想剑我所珍藏的字画中似乎也有林兰作品。于是赶忙回家检索家传旧藏,竟发现有品相完好的一组林兰的《墨竹四条屏》。画中,林兰将谦谦君子之形画得栩棚如生,无论是晴竹、雨竹、风竹、新黛,均墨色饱满酣畅,笔势灵动遒劲,尽得文与可和郑板桥之遗风。 There was a group of ancient calligraphy in my generation that came to my hands, and although I have properly preserved it as a favorite, I never had time to read and taste it. Last year, I stumbled through Liu Guangzu’s book Bamboo in a Book, selecting hundreds of famous Chinese bamboo artists from the Five Dynasties to the present. After reading this book, I suddenly thought that I also have the works of Lin Lan in my collection of calligraphy and painting. So hurry home to retrieve the possession of possession, actually found a good group of Lin Lan’s “bamboo four screens.” Paintings, Lin Lan will be modest gentleman’s painting was vivid, whether it is clear bamboo, rain bamboo, wind bamboo, new Dai, all ink color full hearty, energetic and energetic energetic, full and authentic and may Banqiao legacy.