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本文通过对瓦格纳的男中音咏叹调《可爱的晚星》的和声分析,阐明了在钢琴伴奏中如果在歌曲的旋律中出现了很多半音性线条进行的变化音,则可以根据旋律及和声功能进行的需要,在不影响整体调式调性稳定的前提下,大胆使用变音体系和声,尤其是同主音大小调体系中的渗透性和弦及产生离调性的副属和弦,从而极大地丰富歌曲的和声色彩以及推动歌曲的情感表现。
In this paper, the harmony analysis of Wagner’s baritone aria “Lovely Evening Star” clarifies that if there are many semitone lines in the melody of the piano accompaniment, the melody and harmony sound Function needs, without affecting the stability of the overall tone modest premise, the bold use of vowels and vocals, especially with the tone system of pitch and the tone of the chord and subordinate chords to produce tone, which greatly Enrich the harmony of songs and promote the emotional expression of songs.