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这篇文章的久久踌躇难以落笔,很大程度上源于作为普通观影者与电影研究者双重角色的矛盾纠结。从直接的观影感受来说,这部名为《高兴》的影片中的喜剧桥段并没有触发我身上任何一根与笑有
The long period of hesitation in this essay is hard to come by, due in large part to the tangle of contradictions that serve as the dual role of ordinary and film researchers. From the direct viewing experience, the comedy plot in this movie called “Happy” did not trigger any laughter on me