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李日华是明代的文学家,同时又是书法家、画家,他擅长鉴赏,号称博物君子。李日华著作多,关于书画的笔记文献有《味水轩日记》《六研斋笔记》《紫桃轩杂缀》等。本文采用文献学的方法,试图对李日华存世笔记文献中有关书法的内容进行梳理,论证李日华构建的从王羲之到颜柳到苏黄再到鲜于枢、康里巎巎,最后到同时代的祝允明以雄强风格为中心的书
Li Rihua is a Ming Dynasty writer, but also calligrapher, painter, he is good at appreciation, known as the gentleman of the museum. Li Rihua writings, notes on the painting and calligraphy, “Xuan Shui Xuan Di”, “Liu Zhen vegetarian notes” “Purple Peach Miscellaneous” and so on. This paper uses the method of philology, trying to sort out the contents of calligraphy in Li Ri-hua’s treasured notes, demonstrating that Li Ri-hua’s construction from Wang Xizhi to Yan Liu to Su Huang and then to Yu-Shu, Kang Li 巎 巎, and finally to the contemporary Zhu Yu-ming Xiongqiang style as the center of the book