雕塑自身是一个客观的本然。雕塑的生成是在千锤百炼中,删去了一切不属于它的部分,而展示出其本来的永在。这个过程是艺术主体在征服自然物资材料中精神的熔炼与升华,也是主观意志与情感的对象化与物化。它的纯粹性、它的概括性以及它表达的对客观真理的认识就是一部“哲学”。 Sculpture itself is an objective nature. The formation of the sculpture was thoroughly tempered with the deletion of all the parts that did not belong to it and demonstrated its original eternity. This process is the melting and sublimation of the artistic subject in the conquest of the material of the natural material, as well as the objectification and materialization of subjective will and emotion. Its purity, its generality, and its recognition of objective truth are “philosophies.”