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视觉机器与意识形态有着密切关系。不同于传统电影放映机制,银幕已经充斥在我们生活的每个角落。视觉机器陈列方式的转变导致意识形态和视觉感知体验发生变化。本文就杨福东的当代影像作品展为例,分析当代艺术电影和影像作品与意识形态之间的关系,以及视觉机器在意识形态效果中的作用。
Visual machines and ideology are closely related. Unlike the traditional film projection mechanism, the screen has been filled in every corner of our lives. Changes in the way visual machine displays lead to changes in the ideological and visual perception experience. This paper analyzes the relationship between contemporary art films and video works and ideology and the role of visual machines in the ideological effect by taking Yang Fudong’s contemporary video exhibition as an example.