歌唱性,指的是人们在唱歌时能够体会、感受到的一种情感、美感、心态或者是情调等内在感觉。当我们通过这些内在感觉来进行钢琴演奏时,就能将这些内在的、无法用言语述说的感觉通过手指的灵动以琴声的形式表达出来,并在钢琴演奏时运用合理的艺术手段和技术手段来实现一种更加丰富、更加复杂的歌唱性,是人的嗓音所无法达到的程度。因此,在钢琴演奏中,歌唱性对音乐将更具有表现力,具有相当重要的地位,是钢琴演奏的主要课题和追求目标。本文将结合《巴赫创意曲》的教学分析来研究和讨论在钢琴教学中的歌唱性思维训练的方法。 Singing refers to the inner feelings that people can experience when they sing and feel an emotion, beauty, mentality, or mood. When we play the piano through these inner feelings, we can express these inner feelings that we can not describe in words through the cleverness of the fingers in the form of a piano sound. We also use reasonable artistic techniques and technical means when playing the piano To achieve a more rich, more complex singing, is the degree of human voice can not be achieved. Therefore, in the piano performance, singing is more expressive on music, has a very important position, is the main task of piano performance and the pursuit of goals. This article will be based on the teaching analysis of “Bach Creative Melody” to study and discuss the method of singing training in piano teaching.