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戴剑,1962年生,湖南岳阳人。中国美术家协会会员、岳阳市美术家协会副主席。现任职于岳阳市群众艺术馆。中国山水画在一千多年的历史发展中,形成了一个以三远法为基本结构的预成图式。无论是有什么时代变化,无论是什么样的个性风格,山水画的视觉图式都未曾改变,这就是中国山水画的传统视觉思维,即传统图象。进入现代,虽然经历了新美术运动和山水画自身的变革,但传统的图象却没有因此而改变。1980年代以后,第三次新文化新美术运动的蓬勃兴起,山水画同样成为创新的焦点之一。这一次的山水画创新不同于前两次之处,在于很多画家将创新的视角锁定在山水画的视觉图式,希望在创新的山水画中,
Dai Jian, born in 1962, Hunan Yueyang people. Member of Chinese Artists Association, Vice Chairman of Yueyang Artists Association. Currently working in Yueyang City Mass Art Museum. In the historical development of more than a thousand years, Chinese landscape painting has formed a pre-formed schema based on the three-distance method. No matter what time changes, no matter what kind of personality style, landscape painting visual schema has not changed, this is the traditional visual thinking of Chinese landscape painting, that is, the traditional image. Into the modern, although underwent a new art movement and the transformation of landscape painting itself, but the traditional image has not changed. After the 1980s, the third new culture and new art movement was flourishing, and landscape painting also became one of the focuses of innovation. This time landscape painting innovation is different from the previous two places, is that many artists will lock the perspective of innovation in the visual landscape painting, hoping in the innovative landscape painting,