2016年2月21日下午,伴随着一场淋漓的春雨,“藏地没痕——大唐卓玛纸本作品展”在岁月艺术馆拉开帷幕。上百位诗人、作家、艺术家、评论家及媒体代表齐聚艺术馆观看展览,并就纸本水墨试验、“小红人”意象等话题各抒己见。大唐卓玛长期生活在川西高原,既是一位画家,又是一位诗人,她把对藏地的爱与思画进画里写进诗里,多年来,她执著地描画着心目中那方神圣的土地。 On the afternoon of February 21, 2016, along with a dripping spring rain, “Tibet no trace - Exhibition of works of Datang Dolma” kicked off in the Museum of Fine Arts. Hundreds of poets, writers, artists, critics and media representatives gathered at the Museum of Art to watch the exhibition and expressed their opinions on such topics as paper-based ink and wash tests and the image of “Little Red Man”. Datuk Dolma has long lived in the western Sichuan Plateau. She is both an artist and a poet. She writes love and contemplation in Tibet into her paintings. Over the years, she painstakingly delineated Square sacred land.