《楚辞·九歌》是屈原根据楚国民间的祭祀歌舞而创作的一组抒情诗歌,也是中国文学史上彪炳千古、绮丽多姿的抒情歌集。千百年来,诗人屈原的遭遇就是让人深深扼腕的悲剧,其作品则是他悲剧精神的艺术再现,历来绝大部分研究学者都认可诗中蕴含的悲剧美,也从思想内容、宗教文化等方面进行了分析。本文就以审美文化为基点,从萌芽状态的悲剧因素、依托于水的感伤祭祀、迷狂而浪漫的酒神情怀及悲剧性的社会根源等四个方面探讨《九歌》的悲剧性,以期更为准确地理解诗人的创作心理、情感内涵与美学思想。 “Songs of Chu Songs” is a group of lyric poems written by Qu Yuan according to the folk sacrifices and sacrifices of Chu nationality. It is also a lyrical song album featuring many generations in ancient Chinese literature. For thousands of years, the encounter of poet Qu Yuan is a deeply tragedy. His works are the artistic reproduction of his tragic spirit. For the most part, most of the scholars have always accepted the tragedy beauty contained in the poem. From the ideological content and religion Culture and other aspects were analyzed. This paper, based on the aesthetic culture, explores the tragedy of “Nine Songs” from four aspects: the tragic factor in budding state, the sentimental sacrifice relying on water, the mad and romantic Bacchus feelings and the tragic social roots, More accurately understand poet creation psychology, emotional connotation and aesthetic thought.