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本文以德勒兹的相关概念对李安电影《比利·林恩的中场战事》展开分析读解,认可它作为一个“新大脑影像”的身份。这种身份不但体现在“人物影像”对不可思之思的思考博弈中,更体现在电影整体对思维过程的影像构建中。本文肯定了“顶配”技术在思维的自身演绎中发挥着精神自动装置的作用,也明确指出“新大脑影像”和新技术之间并非存在着必然的联系。
This article analyzes and interprets Ang Lee’s movie “Billy Lynn’s midfielder war” with the relevant concepts of Deleuze, recognizing it as a “new brain imaging” identity. This identity is not only reflected in the “game of characters” thinking game, but also embodied in the movie’s overall process of thinking of the image construction. This paper confirms that the “top match” technique plays a role of a mental automatic device in the interpretation of thinking itself and also clearly states that there is no necessary connection between “new brain imaging” and new technology.