罗兰·巴特“作者已死”的观点把作者直接从权威地位批判到了死亡的身份;弗洛伊德的“无意识论”把活生生的有意识的作者看作是被本能欲望支配的不满足的个体;福科的“话语功能说”认为作者起着某些话语存在、传播的作用。作者存在多元化的身份,本文从实-虚拟、意识-机械两个方面回顾了有关作者形象的探讨,完整的作者形象应该从作者、文本、读者三个方面共同建构。 Roland Barthes “The author is dead” criticized the author directly from the authoritative status to the identity of death; Freud’s “Unconscious Theory” regarded the living conscious writer as being dominated by instinctive desire Foucault’s “discourse function that ” that the author plays a certain discourse exists, the role of communication. The author has multiple identities. This article reviews the author’s image from the aspects of real-virtual, consciousness-mechanical, and the complete author’s image should be constructed from the author, the text and the reader.