武老师的画作具有他自己独特的人生背景和审美趣味,艺术特色极其鲜明,画作中融合了多种文化,如佛教与中原文化,它的构图传达出了灵动多变的自然奥秘,现代趣味与传统题材完美融合。画作中的肌理非常丰富,这是他独有的大笔刷手法与泼墨,并且他的作品也非常具有设计感,与传统水墨画有很大区别,圆融般禅味相应其中,青绿重彩与水墨写意结合地天衣无缝。一方水土养一方人,他小时候生活的蒙古草原,对其影响至深,这样的生活感受是他创作的源泉,水墨画的精髓是水墨语言的丰富表现力,正是这种墨骨才保证了武老师画作的基因延续性。在其画作中,其随意的笔触与笔刷,似乎在玩一种笔墨游戏,这是其画作的精神内核,是画作丰富而富于变化的深层次原因。画作中的设计痕迹,是其设计作品的骨架支撑,增添了一分雄健之气。其也善用对比手法、分割手法、调和手法等等,线条与块面、写实与写意、收与放等等处理的恰如其分,这使得最后的作品酣畅淋漓、意境悠远、雄浑而不失含蓄之气,令人大饱眼福。 Wu’s paintings have their own unique life background and aesthetic taste. Their artistic features are extremely distinctive. The paintings incorporate a variety of cultures such as Buddhism and the Central Plains culture. Their compositions convey the natural mysteries of modernity and modernism. The perfect fusion of traditional themes. His painting is very rich in texture, which is his unique large brush technique and ink, and his works are also very sense of design, and traditional ink painting are very different, harmonious melting of the corresponding Zen which, green color and ink Freehand combination of perfect. One side of water and soil to support one side, his childhood life in Mongolia grassland, deeply influenced, such a feeling of life is his source of creativity, the essence of ink painting is the rich expression of ink language, it is this Mexican bone to ensure Wu The genetic continuity of the teacher’s paintings. In his paintings, his random strokes and brushs seem to be playing a pen and ink game, which is the spiritual core of his paintings and is a deep-seated reason for the rich and varied paintings. The traces of the design in the painting are the skeleton support of the design work, adding a bit of vigorousness. It also makes good use of contrast techniques, segmentation techniques, reconcile techniques, etc., lines and blocks, realistic and freehand writing, collection and release, and so appropriate, which makes the final works hearty, artistic conception, powerful and yet subtle Gas, it feast for the eyes.