论文部分内容阅读
通过把日记体绘画与普通文字日记做比较,直指绘画语言与文字语言的本质差别,强调两种思维模式的不同以及绘画语言独特的可感方式,引发出日记体绘画在架上艺术之中充满诗性美学特征以及日常性的图像特征,它的诗性美学是一种通过视觉传达的精神上的直接沟通与交流,这样的交流不需要文字,甚至不需要理性,它是个体来至灵魂深处的真实感受。日常性的图像,加强了日记体绘画的可识别性与公共性,并说明这里的日常性不是看图说话式的日常,并对此做出了论证,同时带出在艺术内部,这样的日常图像对宏大叙事有消解意义的可能性。
By comparing diary body painting with ordinary diary, it points to the essential difference between drawing language and writing language, emphasizing the difference of two modes of thinking and the unique and sensible way of drawing language, which leads to the body of diary body painting It is full of poetic aesthetic features and daily image features. Its poetic aesthetics is a kind of direct spiritual communication and communication through visual communication. Such communication does not require words or even reason. It is an individual to soul Real feelings in the depths. Routine images reinforce the identifiability and publicity of diary body painting and illustrate that everydayness here is not the everyday language of pictorial illustrations and arguments, Images have the potential to undo the grand narrative.