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中国绘画艺术自诞生之日起,就重视处理自然物象与审美意象的关系。早期绘画,自然物象的真实性受到重视;自魏晋时期开始,受老庄哲学的影响,审美意象的创造开始成为衡量绘画艺术品位高低的标准,审美意象成为绘画艺术的本体;唐朝与五代时期,强调对自然意象进行审美观照;宋代画家重视“象外之意”的构造;明代强调实境具象与审美主体的结合;清代尤为重视自然物象的审美观照。
Since its birth, Chinese painting art has placed emphasis on handling the relationship between natural objects and aesthetic images. Since the Wei and Jin Dynasties, influenced by Lao Zhuang and Lao Zhuang philosophy, the creation of aesthetic imagery has become the standard to measure the grade of painting art. The aesthetic image has become the noumenon of painting art. The Tang Dynasty and the Five Dynasties Period, emphasizing the aesthetic conception of the natural image; the painter in Song Dynasty paid attention to the structure of “the image of the outside world”; the Ming Dynasty emphasized the combination of the realistic image and the aesthetic body in the Ming Dynasty; and the aesthetic view of the natural object in the Qing Dynasty.