湘楚文化地域,有我国迄今发现最早的“中国画”——战国帛画,之后,又出土了震惊世界的长沙马王堆汉墓系列帛画。自此以后,人们似乎不大有机会再睹湘楚间布帛绘画的芳容,湘楚布帛绘画似乎到马王堆汉墓的时代嘎然而止。然而.笔者近年直接或间接地从湖南民间祭祀场景、法物中见到一些地面民俗生态的传承物,一些仍旧透显楚汉浪漫主义遗风的祭祀用布上绘画。这些后世祭祀绘画的涌现,为精美的古代帛画找到了后世延展的民俗形态。 In Xiangchu culture area, there is the earliest “Chinese painting” - Warring States Period silk painting found in our country so far, and then the silk painting of Changsha Mawangdui Han tomb series was excavated. Since then, people do not seem to have a chance to see the beauty of the painting of the paintings of Chu and Chu. It seems that the paintings of Xiang Chubu’s painting came to a halt to the era of Mawangdui Han Tomb. However, in recent years, the author directly or indirectly saw the inheritance of folklore on the ground from the folk sacrificial ceremonies and sacrificial objects in Hunan. Some of the paintings on the sacrificial offerings that still reveal the romantic legacy of Chu and Han dynasties. The emergence of these later ritual sacrifices and paintings, for the fine ancient silk painting to find the later extended folk custom.