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乾嘉时期地方戏曲崛起,雅俗之辩成为戏曲理论的热点问题。李调元反对传统观念中以诗文为雅、以戏曲为俗的观点,认为文体无雅俗,应当从实际功用的角度来衡量文学的价值。戏曲是表演的艺术,李调元认为戏曲语言应该坚持当行本色,反对过度案头化的雅化,同时,他对过度俗化也提出了批评。在主题的选择上,李调元倾向于伦理教化的戏曲,反对诲淫诲盗、怪力乱神的创作倾向。
The rise of local opera in the Qianghua period, the debate of the elegance and vulgar became the hot issues in the theory of opera. Li Yuan opposition to the traditional concept of poetry is elegant, with the traditional view of opera, that the style of elegance, should be from the practical point of view of the value of literature to measure. Opera is the art of performance. Li Yuan-yuan believes that the language of the opera should insist on proper behavior and oppose over-archiving. At the same time, he also criticizes over-vulgarization. In the choice of theme, Li Yuan Yuan tends to ethical enlightenment of the drama, against obscenity Pirates of theft, strange tendency of creation.